Performance and Video

• Intimacies - https://vimeo.com/260503711/ffe4449b9c.  (Eales, L., & Peers, D., 2015-19). Crip Mad research creation dance. Performances include: Tisch School for the Arts, New York University, New York, NY; York University, Toronto, ON; Carlton Art Gallery, Ottawa, ON; Southern Alberta Art Gallery, Lethbridge, AB; The Motel, Calgary, AB. Early version commissioned by Stage Left Production.
• Tactile Twisted Cripster - https://wp.nyu.edu/gallatingalleries/past-shows/2017-2019/crip-imponderabilia/.  (Eales, L., Peers, D., & Coklyat, B., April-May, 2019). Crip, Mad, blind participatory research creation performance art. Imponderabilia. Gallatin Art Gallery – New York University, New York, NY. 
• Other-wise - https://vimeo.com/86762926. (Eales, L., & Peers, D., 2013). Queer crip Mad research creation video poem. Featured in: Autonomous Spaces exhibit of disability art funded by the British Council and featured in France; the Hemispheric Institute of Politics and Performance video archive of key performances in the Americas. 

 Publications

• Eales, L., Fawaz, N. V., & Peers, D. (forthcoming). Criply, madly, deeply: Salty cultures of the left behind. In B. François, G. Reaume, & I. Abdillahi (Eds.), Mad Matters: A Critical Reader in Canadian Mad Studies (2nd ed.). Canadian Scholars and Women's Press.
  
• Eales, L., & Peers, D. (2021). Care haunts, hurts, heals: The promiscuous poetics of queer crip Mad care. The Journal of Lesbian Studies, 25(3), 163-181. https://doi.org/10.1080/10894160.2020.177884
  
• Eales, L. & Peers, D. (2018). Border score: Choreographies of crip and mad travel. Canadian Theatre Review, 176, 48-52. https://doi.org/10.3138/ctr.176.008
  
• Eales, L. & Goodwin, D. (2015). “We all carry each-other sometimes”: Care-sharing as social justice practice in integrated dance. Leisure/Loisir. 39, 277-298. https://doi.org/10.1080/14927713.2015.1086584
  
• Olszanowski, M., Eales, L., & Peers, D. (2014). Care sharing: Body tools in motion, an interview with Lindsay Eales and Danielle Peers. No More Potlucks, 32 (March). http://nomorepotlucks.org/site/care-sharing-body-tools-in-motion-an-interview-with-lindsay-eales-and-danielle-peers-magdalena-olszanowski/
  
  

image of two twister game mats, one on a wall, and another beneath it on the floor. Posted the wall is also the game spinner. All have been edited with black sharpie marker to read "Twisted Cripster". Glued to the green circles are foam balls, yellow circles have textured hand prints, flowers are glued to the blue spots, and feathers to the red spots. Image retrieved from https://wp.nyu.edu/gallatingalleries/past-shows/2017-2019/crip-imponderabilia/#jp-carousel-8925